Thursday, 9 April 2020

Study Task 5 - Create your Brand

I have created a consistent brand across all social media platforms;

Instagram:https://www.instagram.com/gaps_artist/

Facebook: https://www.facebook.com/gapsart

DeviantArt: https://www.deviantart.com/gaps-art

LinkedIn: https://www.linkedin.com/in/gabbi-slater-6087681a2/


And I have a Website that has, a blog and an online portfolio:

My Website

I have also created a business card that is also consistent with my brand and is very appealing:



Monday, 9 March 2020

Business Cards and Website

I have been designing my business cards for a couple of weeks now and I think I have a final version that I am happy to print.

This is my final version of my business cards:




I designed the mermaid character as my logo for all my social media accounts, to keep consistency but also show my personality through a simple design. I think it communicates my personality and the fact I am a character designer.

In other news, I was able to obtain a domain name and create a website for myself and it is now live!
My Website!

Very happy with it and I will continue to improve and update it for the foreseeable future.

Sunday, 1 March 2020

The Royal Television Society Award Ceremony.

On Wednesday the 26th of February, I was invited to the RTS Award Ceremony to support my fellow coursemates as their films had been nominated for the Animation award.



After our University won the award, we were able to mingle with the animation judging panel.

They gave us great insight into the industry, what they look for in recent graduates and that the animation world of the UK is changing for the better. I asked them where the best place to pitch a young adult animation tv series would be, they told me that the BBC are looking for diverse animation for young adults, Channel 4 are constantly looking for young and upcoming practitioners and also suggested that I can always pitch to Netflix, which is something that I have been considering for a long time.

After this experience, I want to work hard on my film to just get nominated for this award, it can open up a lot of opportunities and it is a great way to keep connected with the animation world.

Friday, 21 February 2020

Study Task 3 - Networking

We have been instructed to update and find professionals in the world of animation through LinkedIn. I decided to use my email that is associated with my art Instagram account, as I intend to use this email when applying for creative jobs, taking commissions, etc.


I used the same picture I use for all my social media and my website, to keep my brand consistent.

My LinkedIn profile


I have also made a few professional connections; animation studios in both in Cornwall and the West Yorkshire area as well as professional character designers and storyboard artists.


12 Networking Events that I could possibly attend.

These are some of the festivals that I could attend as they are either in Leeds or are close by that I will be able to visit.

Manchester Animation Festival
Thought Bubble
Leeds International Film Festival
Bradford Animation Festival
Leeds Young Film Festivals

And here are some international or more expensive festivals that I would like to attend someday:

Cardiff Animation Festival
London International Animation Festival
Raindance Film Festival
Anima: Brussels Animation Film Festival
Animex International Festival of Animation and Computer Games
Britsh Animation Awards
Bradford Animation Festival
Edinburgh Animation Festival 


Here is a list of people who I have tried to make contact with on LinkedIn:


Jason Robbins 

Studio Director at Engine House (Animation Studio in Truro, Cornwall)

Mike Richter  

Director at Engine House 

Natasha Price 

Producer at Engine House Animation Studio
Truro, United Kingdom

1st degree connection

Tim Birks  
Senior Character Animator at Doodle Productions (Animation Studio in Birmingham)

Katie Gascoyne 2nd degree connection 2nd

Recruitment and Talent Coordinator at Blue-zoo Animation Studio & Community Manager at AnimDojo
London, United Kingdom

Jez Hall 2nd degree connection 2nd

Director at Blue-Zoo Animation Studio
Guildford, United Kingdom

Fernanda Valverde 2nd degree connection 2nd

2d Lead animator at Blue-Zoo Animation Studio
United Kingdom

Matthew Tea 2nd degree connection 2nd

Director at Blue-Zoo Animation Studio
London, United Kingdom

ChloĆ© Deneuve 2nd degree connection 2nd

Character Animator
United Kingdom

Sam Potter 1st degree connection 1st

Lead Animator at Blue-Zoo Animation Studio
United Kingdom

  • Alex Thomas
  •  1st degree connection

Freelance Storyboard Artist/2D Animator


  • Antonio Stappaerts
  •  1st degree connection

Freelance Concept Artist & Illustrator




Wednesday, 19 February 2020

Study Task 4: Exit Strategy

The first year out of University will be tough and unpredictable,  I am wanting to work for studios so I can gain experience and connections in the animation world, then start pitching my own animated tv series in the far future. I have a clear check list of things I need to do before and after I graduate:

1. Search for jobs, internships and opportunities in the Yorkshire, Manchester and Nottingham area.
2. Look in to housing in previously stated areas.
3. Create a website/online portfolio.
4. Update/rewrite CV.
5. Look into self-employment options.
6. Set up commissions prices and slots.
7. Look into online shops or way to sell art online to get passive income.

Wednesday, 5 February 2020

Study Task 2: Scan the Horizon

1. Where do you would like to work, short or long term?

I would initially like to work in a professional animation studio either as a runner or a junior animator, then work my way up into either a character designer or storyboard artist role. I would like to work in a studio environment for at least 5 years then hopefully move on to freelance work.


2. What do you know about your dream role?

I know that you cannot just jump straight into the role straight from uni (or that it is very unlikely that it will happen). As I stated previously I want to get my foot in the door in regards to animation. I understand that I need to have a good relationship with a studio or be known in the industry for my skills. I also need to improve my portfolio regularly and make sure that I make it diverse and appealing to improve my chances of getting my dream role.

Character designers outside of London make a starting wage of £27,000 and can progress to £34,000, however, this all depends on the studio and on the project.


3. Who do you know that might help you get that foot in the door?

I have met people at some networking events (art festivals and animation festivals) and I have managed to get some business cards of some people, however, I do need to find more people to network with and keep those connections, which will help me obtain a job.


4. Networking opportunities based upon where you want to work?

As I will be in the Yorkshire area after Uni, I want to attend Thought Bubble and Manchester Animation Festival again as they were both very eye-opening and was a great way to find out what was going on in the animation world. During my time in university, I want to attend the Leeds Young Film Festival, as there is always animation featured and visiting industry professionals.


5. Anything else that may be related to your moving on from LAU?

I am planning on staying in the Leeds area, so I am wanting to find work in the Yorkshire area, however, I am aware that I might have to commute to Manchester, York or further in order to get the studio work I initially want. I also have plans in the far future to eventually move back to Cornwall: I am aware that there are some animation studios that I could apply for but I am hoping when I get to that stage in my life I will be a freelancer.

Wednesday, 8 January 2020

Year 3 - Study Task 1 - Review you presence

My practice

What do you do and why do you do it?

I am a character designer and storyboard artist. I love creating characters and telling stories with them, exploring how they would interact with each other and in the world around them. 

How do you do it?

I like working both traditionally and digitally; I usually thumbnail and sketch with pencils and fine liners then bringing those drawings into Photoshop and digitally colouring and finishing my work.


Your skill set

What skills do you have?

I have a good understanding of anatomy, drawing expressions and appealing character design, five-year plus experience with Photoshop and compelling story-telling skills.

I want to specialise in character design, story-boarding and maybe script-writing.


Your plans for the end of the course

Do you want to get a job in a studio?

I want to get as much industry experience as possible, so yes I do want a studio job. I understand that it is important to just get your foot in the door, so I will be willing to be a gofer, a junior animator, a PA, etc anything that will give me studio experience until I am able to get a job in my desired field.

If I am able to get a job as a character designer or storyboard artist straight after university, that would be great too.

Have you considered freelancing?

I would eventually like to work as a freelancer, however, I think it is important to establish industry connections before working independently.

Perhaps something else?

I would like to work on my own projects; create a graphic novel, pitch an animated television series and furthering my social media presence. Maybe starting a Youtube channel dedicated to art and animation.

Your online presence

Do you need to change your approach to social media?

Yes. I do need to be more active not only on my already established social medias but also expand on to others. I also need to have consistent branding on all platforms.